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The film examines the familiar theme of a man's search for his identity. With a contract to perform a drag show way out in the Australian desert, Tick, Adam, and Ralph each has his own reason for wanting to leave the safety of Sydney.

Instead, Algie's character is defined as gay through certain visual indicators of behavior and dress: his tendency to give cowboys kisses on the lips rather than slaps on the back, his bright and flamboyant Western wear, and a penchant for lace hankies and lip rouge.

In one of the film's more inventive uses of visual metaphor, Algie's masculinity is represented by the size of his firearm.

Archie later discovers that his macho drinking buddy is gay and proud of it. Cast: Matthew Modine, Alan Alda, Phil Collins, Richard Gere, Anjelica Huston, Steve Martin, Ian Mc Kellan, Lily Tomlin, Glenne Headly, Swoosie Kurtz, Richard Masur, Saul Rubinek, Charles Martin Smith, B. Nothing shakes Roy's lack of empathy: even on his death bed, he's fighting with his gay nurse and taunting the woman he helped put to death, Ethel Rosenberg.

(Also contains two other espisodes: Gloria discovers women's lib, and Gloria poses in the nude.) 1971. The other patient is Prior Walter, who is visited by an angel and deserted by his self-pitying lover, Louis. Contents: Fireworks (1947, 15 min.) -- Puce moment (1949, 6 min.) -- Rabbit's moon (La lune des lapins) (1950, 16 min.) / Puck Film Productions -- Eaux d'artifice (1953, 13 min.) -- Inauguration of the pleasure dome (1954, 38 min.).

In Fireworks a dissatisfied dreamer awakes, goes out in the night seeking a light and is drawn through the needle's eye to return less empty than before.

Puce Moment reflects Anger's concerns with the myths and decline of Hollywood.

When he first arrives out West, he packs a dainty silver pistol, but as he becomes acclimated to the rugged terrain, he begins packing a more butch six-shooter.

While Algie acquires the manliness required by his future father-in-law, a secondary character emerges as an unexpectedly compelling figure: Algie's bunkmate Big Jim.

That a film could develop a relationship so complex, poignant and utterly unconventional in a scant ten minutes is a testament to the talents of director Alice Guy-Blaché. In conceiving the story of Algernon Allmore (the film has no credited writer, so we can fairly credit Blache with at least partial authorship), the director was probably influenced by the stories of Bret Harte.

Greatly influenced by Charles Dickens, Harte wrote tales of rugged Westerners, and the stories were uncommonly tender -- often overlaid with shameless sentimentality.

Louis moves on to a relationship with Joe Pitt, a Mormon lawyer whose closeted homosexuality drives his wife to delusions and brings his mother to New York. Music: Fireworks / Respighi ; Puce moment / Jonathan Halper ; Rabbit's moon (La lune des lapins) / the Flamingos ...[et al] ; Eaux d'artifice / Vivaldi ; Inauguration of the pleasure dome / Janacek.